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	Search results for Right    Refine your search Creator 23 () 4 () 2 () 2 () 2 () Show more... results 81-100 of 252 item(s)  page 5 of 13 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 81. [Bookplate for H. R. N. Flyne by E. F.] Pictorial bookplate. A man seated in a chair, reading and smoking, with piles of books (and a martini) around him. The artist's name and year are inscribed on one of the books in the lower right corner. 82. [Bookplate for M. J. Freie] Pictorial bookplate created with black ink on ivory paper. A clock tower is visible through a stone, oval, window. In the upper right and left corners are shields: On the left side is an or shield with a displayed double-headed bird ; on the chest of the bird is an argent shield with a vert fess. The shield on the right side is sable with a ship. In the bottom right corner is an owl perched atop books and in the left corner is a painter's pallet and brushes. 83. [Bookplate for John Peter Braselmann] Pictorial bookplate created using black ink on white paper. The image portrays a scholar seated in front of a bookshelf, reading a large book. The border consists of open and closed books and two lit candles at the top right and left corners. 84. [Bookplate for G. P. Girdwood] Oval-shaped circular border with legend containing a motto printed in capital block letters across the top half. Bottom half of the border has shading, decorate circles, and a decorative end. Border made to look like a ribbon, one end of which loops over the bottom of the oval. End of the ribbon has thin borders, circular decorations, and almost tapers to a point with decorative curls at the end. In the center of the oval is a demi-lion rampant guardant. In its right paw, the lion holds a tree with round foliage at the top and sprawling roots at its base. Below the image is text written in stylized sentence-case serif font. 85. [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] Night scene of human figure seated and reading in front of a tree by the light of the moon. An owl sits on a branch near the top of the tree, outlined by the moon. Another tree is present in the background. Text appears along right side and bottom. Image is set in a double border. 86. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font. 87. [Bookplate by James Gourlay Gray] Metallic brown black ink on cream paper. Border of two thin black lines with floral and leafy decorative features on the left and right sides. Latin script printed at the top of the bookplate in capitalized font with curling serif. An inner border surrounds two images. The top image has a black background with four white shining stars in the background. In the centre is a half circle strip with curled sends over marbled colouring, all of which surrounds sheet music. On top of the sheet music is a small harp-like instrument with horns protruding from it. At the top of the heart is a candle holder with smoke swirling from the top. On the outer left-hand side of the half-circle decoration is a reclining woman styled like a classical status in a draping dress. She is holding a pan flute in her right hand. On the right hand side, another similarly styled woman is reclining and holding a paint easel with several brushes in her left hand. Both women are barefooted. The bottom image has a thick marbled border. Within the border is a curlicue decoration, in the centre of which is an image of a work desk. There is a photograph hanging on the wall behind the desk. The desk itself is quite cluttered and features many photographs, papers, and books. The walls have decorative wall paper and there are various wall hangings. Below that section are two horizontal strips of different decorations. The top stripe has a dark snake like curving pattern, the borders of which are decorated with stylized, pointed lines. Thin white stripes are at the top and bottom of the horizontal strip. A row of small white dots separates this pattern from the next strip, which is a series of floral leaves curling in a line to meet at the centre. Below that, the bookplate owner’s name is printed in capitalized serif font with extra stylizing on the “A”s. 88. [Bookplate for Douglas Loney by Frits Jacobsen] Medieval town square scene with three musicians with Medieval instruments (violin, hurdy-gurdy, and bagpipe) with shoppers and a dancer in the background. The artists' initials (FJ) are written on a building in the background and the artist's full name is in the bottom right corner. 89. [Bookplate for English Church Union Theological Library] In the centre of this textual bookplate is a crest depicting a religious figure, crowned and seated on a throne. In his right hand he holds a chalice, and in his left a cross topped sceptre. To the left of the throne is a flowering bush, and below it is a small cross formy and the word "FIDAS" ("faith" in latin). To the right of the throne is the skeleton of a bush, flowerless, and below it is the word "INFIDELITAS" ("infidelity" in latin). At the base of the throne is an unknown latin phrase. 90. [Bookplate for John Chapman] In the centre of the bookplate is a rectangular heavy solid line border with a lighter solid border within. Within this is a wavy line border, and within this is a lighter, dotted line border. The owner's name is printed in Gothic script in the middle of the bookplate, and there are flourishes going from both the beginning and the end of the name out towards border corners. Within the border at each corner are right angle decorations with a small flourish. 91. [Bookplate for Cornelia de Rozsnyayn-Prielle and J. E. Horvath] In red ink on brown paper, this bookplate presents us with a garden scene showing a young amorous couple coming down a pathway. In the background, we see a garden retreat, a fence and gate, and a water fountain. In the foreground is a bench, on which lie a lyre, an open book, a stem and flowers, and what appears to be a floral wreath or possibly a scarf. On the right are steps leading off the page on which sit a stone sphinx. 92. [Bookplate for Hudson's Bay Company and Gordon Elliott] In purple ink, text within a round indented border. 93. [Bookplate for Erich Falfenroth and Michael B. Kunze by F. Nickel] In brown ink, a sun radiates light over the background of the image from the top left corner. Included in the background is a crescent moon in the top right corner, an hourglass, in the lower left corner, and a compass in the lower right corner. In the foreground is a chaplet encircling a coat of arms. Atop the helm is a bird, possibly a falcon. The helm itself is front facing and grated (no significance in German heraldry). From either side of the helmet flow elaborate sprawls of mantling which curl down to the sides of the escucheon. The escucheon, in gules, (red) represented by lines drawn from chief to the base, is bordered in or (gold). Centered in the shield is a heavily bound book, with what appear to be latches to prevent unworthy eyes from reading its contents. From the top and bottom of the book flow a place marking ribbon. 94. [Bookplate for Otto Braun and Michael B. Kunze by F. Nickel] In brown in on tan paper. Shield in upper left hand corner above which is mantling and a closed helmet in profile, indicating equires and gentlement. Three fusils vert on centre of shield. Bottom and right hand side of plate decorated with scales, compass and triangle. Artist's mark outside bottom right hand corner.`. 95. [Bookplate] In blue ink on yellow paper. This bookplate displays a mounted trumpeter, suited in armour. Behind his right leg hangs a shield charged with what appears to be an eagle displayed. The equestrian is surrounded by a rectangular frame containing alternating vegetative designs and open books resting on book stands. Above the figure, within the frame appears the work ex-libris and below, in the base of the frame the institution name. 96. [Bookplate for Sir Lawrence Palk by Ezekiel Abraham Ezekiel] In black ink: Sable, an argent eagle displayed, an argent bordure engrailed ; at the precise middle chief, the inesceutcheon of a baronet (argent, a hand gules) ; surmounted by a wreath of argent and sable, the crest a demi-globe or hemisphere ['semi-terrestrial globe of the northern hemisphere'], an eagle rousant, wings displayed and elevated ; motto on a ribbon below the shield. The bottom right corner of the bookplate was torn away and has been replaced with a light paper. 97. [Bookplate for Basil Thomas Woodd by Benjamin Warwick] In black ink. This bookplate consists of an escutcheon, parted per pale. The first pale is parted per quarter. Quarters one and four, gules (red), are charged with three demi-Hercules, two over one. Quarters two and three, sable (black), are charged with gryphons rampant, segreant. The second pale is parted per quarter. Quarters one and four, or (gold), charged with a lion rampant, sable, on a chief, gules, in the middle part a fillet, dovetailed, argent (silver). Quarters two and three, azure (blue), are charged with a fleur-de-lis. The escutcheon is set upon a backdrop of concentric circles. The inner circle is decorated with vine-like patterns. Within the outer circle, the originator's Latin motto "non nobis" appears. Below the concentric circles, the creator's signature and address, Benjn. Warwick 124 Regent Street appear. Above the circle is a peer helmet, surrounded by vegetative mantling, and atop the helmet is a straight wreath charged with a demi-figure of Hercules. (Bernard Burke considers the Hercules figures to be woodmen holding a club over their right shoulders or savages, depending upon the source consulted). 98. [Bookplate] In black ink. The escutcheon, argent (silver), is charged with a mullet, pierced, azure (blue), at the fess point, surrounded by three cross crosslets, fitched, gules (red), two over one. The shield itself is constructed from rococo scrolls and is surrounded by elaborate vegetative mantling, finishing in a pair of tassels. Above the escutcheon is a peer helmet, charged with a straight wreath, and a cubit arm, clutching a cross crosslet fitchy. Below the escutcheon is a banner displaying the originators Latin motto. 99. [Bookplate for Frederick Starr] In black ink. Image of two storks amid foliage. Japanese characters in the top right and bottom left corners. 100. [Bookplate for Frederick Starr] In black ink. Image of two butterflies in flight. Butterfly in foreground in detail. Japanese characters in the top right and bottom left corners. select all : clear all : add to favorites results 81-100 of 252 item(s)  page 5 of 13 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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